KEMS & ASTE
KEMS & ASTE throwing the chrome up on this semi-trailer.
The Infamous Magazine – Issue 8 Release Party (NYC)
If you’re in New York this Thursday night be sure to get to the release party of the 8th Infamous Magazine at Sensei Gallery (278 Grand St. 2nd Floor NY) There’s a $10 cover charge but that gets you a free copy of issue 8, giveaways throughout the night and free booze from Pabst. More
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BMD Colouring Book
The Lads from BMD have created this dope little colouring book. Here’s a couple of previews. BMD website tumblr instagram facebook
MR WANY Calendar Tour
MR WANY has started his European calendar Project tour in Milan with a bang. Next stop Brindisi and on to Perugia and Rome. Here’s some recap shots courtesy of Alberto Pepe, Marco Scudeletti and Cosimo Griso Alfarano.
Watch: YOK, SHERYO, DAEK & FECKS in Detroit
Detroit with SHERYO, YOK, DAEK, FECKS and 1xRun from theyok on Vimeo. YOK, SHERYO, DAEK & FECKS got together for some spray time in Detroit last year.
Graham 125 Prints
If you’re from London you’ll recognise a lot of the elements in the patterns of these new prints by Graham125. Cop yours here
Wonderwalls – Port Adelaide, 23-25th January
The streets of Port Adelaide are set to become a giant, interactive canvas when the hugely popular Wonderwalls festival comes to Adelaide for the first time in January, 2015. If you’re in town prepare to see Ironlak family members ASKEW, VANS THE OMEGA, LINZ and TREAS along with BEASTMAN, NUMSKULL, KAB101, SMUG, ELLIOT FRANCIS STEWART,
Ironlak Family in Dubai (Part 2)
On Monday we posted the photos Selina Miles took in Dubai last November for the Guinness World Record break of the longest graffiti scroll. Here’s a few more snaps taken by Luke Shirlaw. sdas
JURNE — Scienceism
Tracksides. Tunnels. Rooftops. Over the course of five days, JURNE caught up with Selina Miles to explore the neighbourhoods, train tracks and underground tunnels found in Oakland, California. ‘Science-ism’ also offers a glimpse into JURNE’s studio output, illustrating the connection between his work on the white walls of a gallery and the concrete walls of